Collaborative show with Sophie Lee at zona mista, London 2018

ROUGH MAGIC

in the sound of demolition, buildings becoming walls becoming bricks becoming aggregate becoming dust, ash of the burned, spurned, discounted, reformed, cast into the new void that is

arkhe-tekt-ure

40N concrete, rainwater, absent ceiling tiles (cavity space), borrowed clothes

Isabel Mallet - \_______/Isabel Mallet - \_______/Isabel Mallet - \_______/ Isabel Mallet - \_______/

coming up

the origin of the house in the basket, the origin of the basket in the web, building in darkness, instinctive dwelling with own bones in filth, cave floors dripping with freon, a thirsty hum, discarded appliances as exhausted bodies, (also) scale models of high rise buildings, continuous cycle of compression and depression, gases cooling warming, pavements drinking sweat, spit, piss, evaporation contained in systems spreads over the earth’s semi-permeable urban membrane, tough like 40N. For railways, manholes, footings, foundations, fingerprints from the other side, earth stretched out inhuman rendered,

acoustic crescendo from initial hollow, slow rhythm reflecting,

geological chirping            barking/woof/howl

coming down

gurgle

                 gurgle

        gurglegurglegurglegurglegurglegurglegurgle

gurglegurglegurglegurglegurglegurglegurgle

discarded fridges, contact microphones, mixing desk, harmoniser pedal, PA system

 

Isabel Mallet - \_______/

Isabel Mallet - \_______/

Isabel Mallet - \_______/

Atropa Belladonna as the Medean flower, the hag, crazed magician (re)producing poisonous berries, murderous pregnancies, swollen black bellies to burst in wet mouths reflecting light back into dimness, rubbing on thighs to fly nocturnal on sticks, darkness rippling along- side visions. Shadows as the space of illumina- tion, the archeology of architecture revealed as the removal of bodies, sexuality, knowledge, labour, the tomb that is the house that is possessed by the silenced screams of the heretic,

continued
gurgling,

cracking

clicking tick-tock, click, click, click       click

          popping
buzzing buzz buzz buzzing snapping

 

clicking
hissing sizzling buzzing arching rattling

zzzzz zzzzzzz ssssss ssssssssssssssss

mmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmm mmmmmmmmmmmmmmmmmmmmmmmm

The substratum that is the gregorian drone, flesh of the unheard word, lingua ignota as the permission to overflow, flesh listening in- solitude slowly whispering solidarity, amidst the chastity of rotten air wafting from plague pits, words finally extrude under the spells of sickness, breaking silence with visions, blasted through cortical pulsing, her loss of self as universality opposing her interiority as affirmation of thisness and and the inevitable oscillation between these two states looping, spiralling fractals, resonating, tripping, pulsing

Isabel Mallet - \_______/

 

Isabel Mallet - \_______/

 

Isabel Mallet - \_______/

All images © Ollie Hammick 2018